Saw Instrumental
Rathlin Island, Northern Ireland
Across the handsaw drawn—as across the world
now seems—her fiddlebow—a whetting, whittling down
to two dimensions—a plane edge-toothed as ocean’s own—
horizon-fretted—wind aslant a treeless (I would
have you listen to it) island—back/forth—(how, o
do you, how to tell you?)—Ariel—(slit-bound)—
as once your forefinger set a wine glass humming—bone-
less, lungless sprite fast in the cloven pine-rings wailed
& bent his pitch (how high?) within that windbent tree—so
that night her saw—sighting, aligning, sliding between—
shrieked out (still never cross the grain) the Lilliputian
stars—made of the room, walls, floorboards, table, us, a mouth—
an echo chamber—until we heard our worldsend through
the crack-(my heart)(she played Amazing Grace)-less distance.
About the author
Henry Walters was born in Chicago in 1984 and grew up in Clinton, Michigan. After studying Latin and Greek as an undergraduate at Harvard…
Read the full bioIssue 17 · March 2013
Table of contents
- From the editors
- Poetry
- Three Poems by R L Swihart
- Saw Instrumental
- Marketplace
- Numbers
- Two poems by Jim Burke
- The Pink Apartment
- Body-threaded
- An Evening in the Hamptons
- Two poems by Dalton Day
- On the way to Udhagamandalam II
- Eureka, California
- A Clip from Tomorrow
- Homecoming
- Amsterdam II : Scarring the Plate
- Two poems by Maria Apichella
- Late Summer
- Teksi!
- A Common Language
- Postcard Prose
- Travel Notes